Museums of Budapest- a Hands-on Course

16.01.2025.
Museums of Budapest- a Hands-on Course

Course summary

During this unique course, participants will have an opportunity to gain insight into the art scene in Budapest and to take a behind-the-scenes look at museum life. Participants will be able to explore Budapest's major museums and learn not only about important art initiatives, but also about the work of professionals working in the field of art. Art historians, curators, exhibition organisers and art mediators will accompany you on this exciting exploration.

The doors of the Museum of Fine Arts, the Hungarian National Gallery, the Hungarian National Museum, the Kiscelli Museum, the Museum of Ethnography and the Ludwig Museum will be opened to participants in a way they would never see as ordinary museum visitors. This practice-oriented course is all about art and art communication.

Course period

21 July- 03 August

Credits

Our course recommends 5 ECTS points, which may be accepted for credit transfer by the participants' home universities. Those who wish to obtain these credits should inquire about the possible transfer at their home institution prior to their enrollment. The International Strategy Office will send a transcript to those who have fulfilled all the necessary course requirements and request one.

Application deadline

30 May 2025 (max. 15- 20 participants)

Course fee

590 EUR; includes: tuition fee, course materials, meals (coffee break and lunch), local transport, opening ceremony and the cost of the leisure time programs, excursions

Course requirements:

At least level B2 (CEFR) English proficiency 

Previous museum and art related studies would be an advantage

Application

Application form: https://www.elte.hu/en/content/.f.678

Meet the lecturers

Orsolya Endrődy, Phd is a Senior Lecturer and researcher at ELTE Faculty of Education and Psychology, Institute of Intercultural Psychology and Education. Her main interests are in the intersection of the visual, cultural and childhood studies including gender, inclusion, global education, sustainability and intercultural understanding. She is editor in the main educational scientific journals in Hungary and guest lecturer at Chiang Mai University, Thailand, and Osaka University, Japan. She has been involved with several Erasmus KA2 research projects as a project leader of ELTE, such as EXCIITE or STROLL. She has recenly published a full issue on Global Education in Asia. She also has Q1 and D1 ranked publications in the field of Childhood, Education and Linguistics.

Dr. Péter Erdősi, Assistant Professor- Institute of Historical Studies, and Atelier Department for Interdisciplinary History

 

 

 

 

 

 

Judit Klement, Habil Associate Professor- Institute of Historical Studies, and Atelier Department for Interdisciplinary History

 

 

 

 

 

 

Patrik Mravik, Assistant Professor- Institute of Historical Studies

Patrik Mravik is an Assistant Professor at ELTE Atelier Department for Interdisciplinary History. His research interests include the social and cultural history of the socialist period, history of Hungarian cinema and television, and the theories of contemporary museology. In addition to researching and teaching activities, he has been involved in several participatory projects in the field of museology and cultural heritage studies.

Dániel Veress, Lecturer- Institute of Historical Studies and Atelier Department for Interdisciplinary History

Zsuzsanna Hudák - Exhibiton Organiser, Museum of Fine Art

Dr Kinga Bódi- Curator, Museum of Fine Art

Mónika Kumin- Hungarian National Gallery 

Zita Varga- Museum Educator, Ludwig Museum

Eszter György, Assistant Professor, ELTE Atelier Department for Interdisciplinary History

 

 

 

 

 

Hannah Daisy Foster- Museologist- Museum of Etnography

Zita Gódórné Hazenauer - Japanese Garden Expert, Ferenc Hopp Museum of Asiatic Arts


Course Syllabus

 

 

22 July Tuesday

24 July Thursday

25 July Friday

29 July Tuesday

30 July Thursday

31 July Friday

9.00-10.30

Judit Klement, ELTE- Urban development of Budapest, historical overview

Dr. Orsolya Endrődy- Nagy, ELTE- Visual Art and professions

Dr. Orsolya Endrődy- Nagy, ELTE- Interpretation of symbols: iconography, visual anthropology, visual sociology

Dr. Orsolya Endrődy- Nagy, ELTE- Children and Art, Adults and art, Art as therapy: keeping your inner child alive

Dr. Orsolya Endrődy- Nagy, ELTE- Inclusive museum

Dr. Orsolya Endrődy- Nagy, ELTE- Visual literacy: how to see the world through the lens of visuality

11.00-12.30

Dr. Orsolya Endrődy- Nagy, ELTE- Strolling in the city: artworks in urban spaces 

Péter Erdősi, ELTE- The institutionalisation of monument protection and of musealisation in Budapest, 19-20 centuries 

Dániel Veress, ELTE- History goes contemporary: Artist interventions in historical museums

 

Patrik Mravik, ELTE- Participatory museum

Zsuzsanna Hudák, Museum of Fine Art- Exhibition organisation

Zita Godorné Hazenauer, Ferenc Hopp Museum of Asiatic Art- Museum spaces: Garden

13.30-15.00

Mónika Kumin, MNG- Interpreting landscape and nature from late modernism to ecological art.

Eszter György, ELTE- Roma heritage and contemporary art

Hannah Foster, Museum of Ethnography- Friction as means of interpretation in a permanent exhibition

Zita Varga, Ludwig Museum- Slow looking – well-being and self-awareness in museum spaces

Kinga Bódi, Museum of Fine Art- Anti- aging: Artists’ late and last works and an exclusive look at the prints and drawing collection

 

Joint Art Project in the Ferenc Hopp Museum of Asiatic Art, Garden

BIBLIOGRAPHY

Related to Dr. Orsolya Endrődi- Nagy’s lecture

  • Benedek, András; Veszelszki, Ágnes (szerk.) Virtual Reality − Real Visuality : Virtual, Visual, Veridical
  • New York, Amerikai Egyesült Államok, Wien, Ausztria, Berlin, Németország, Oxford, Egyesült Királyság / Anglia, Frankfurt am Main, Németország, Bern, Svájc, Bruxelles, Belgium : Peter Lang (2017) 198 p. DOI Endrődy-Nagy, Orsolya
  • Images and Iconography in Cross-Cultural Context)
  • Endrődy, Orsolya (ed.):STROLL - Walking in the city: Teaching manual, Budapest, Magyarország : ELTE PPK, Interkulturális Pszichológia és Pedagógia Intézet (2023) , 63 p. ISBN: 9789634895589 EDIT 
    https://ippi.ppk.elte.hu/media/62/e5/dedf45c804b34ba570ee62b798ae8d03e430373b950acb55affedebf3dda/STROLL%20TEACHING%20MANUAL%20FINAL.pdf
  • Kress, Gunther and Leeuwen, Theo van: Reading Images, The Grammar of Visual Design,London and New York, ,Routledge, Taylor & Francis Group, 2006.
  • Nyíri, Kristóf: Gombrich on Image and Time, in: Journal of Art Historiography, no. 1, December 2009, Published in hardcopy in Klaus Sachs-Hombach and Rainer Totzke, eds., Bilder – Sehen – Denken: Zum Verhältnis von begrifflich-philosophischen und empirisch-psychologischen Ansätzen in der bildwissenschaftlichen Forschung, Köln: Herbert von Halem Verlag, 2011, pp. 9–32.
  • Smith, Ken, Moriarty, Sandra, Barbatsis, Gretchen, Kenney, Keith (eds.): Handbook of Visual Communication; Theory, Methods and media, Lawrence Erlbaum Associates, Publishers, Mahwah, New Jersey, London, 2005.
  • Peim, Nick:: Introduction: The Life of Signs in Visual History, in: Mietzner, Ulrike, Myers, Kevin and Peim, Nick (eds.): Visual History, Images of Education, Bern, Peter Lang AG, European Academic Publishers, 2005., 7-35.
  • Sperling, Lynda Joy: Famous works of art in popular culture, A reference guide, Greenwood press, Westport, Connecticut, London, 2003

Related to Eszter György’s lecture

  • Junghaus, Tímea (2014) Roma art: Theory and practice. Acta Ethnographica Hungarica, 59 (1). pp. 25-42.
  • Eszter György (2021) : From the Dining Hall to the Budapest History Museum: Contemporary Roma art and cultural heritage, trapped in community space? eriac.org blog

Related to Dr. Kinga Bódi’s lecture:

https://fswg.wordpress.com/wp-content/uploads/2013/08/adorno-late-style-in-beethoven.pdf

https://www.leopoldmuseum.org/de/ausstellungen/145/egon-schiele

https://www.vangoghmuseum.nl/en/visit/whats-on/exhibitions/overview-past-exhibitions/van-gogh-in-auvers-sur-oise

https://www.amazon.com/End-Artists-Late-Last-Works/dp/1789141311

https://academic.oup.com/book/9993/chapter-abstract/157354571?redirectedFrom=fulltext

Related to Zita Varga’s lecture

Shari Tishman: Slow Looking, The Art and Practice of Learning Through Observation, Routledge, 2017

Related to Hannah Foster’s lecture

  • Ivan Karp et.al. (eds.) 2006 Museum Frictions. Public Cultures / Global Transformations. Duke University Press, Durham and London - esp. Introduction by Corinne A Kratz and Ivan Karp
  • Clémentine Deliss 2020 The Metabolic Museum. Hatje Cantz Verlag, Berlin - esp. Manifesto for the Post-Ethnographic Museum and Manifesto for Rights of Access to Colonial Collections Sequestered in Western Europe
  • Tony Bennett: Thinking (with) Museums. From Exhibitionary Complex to Governmental Assemblage. In: Andrea Witcomb - Kylie Message (eds.) 2020 [2015] The International Handbooks of Museum Studies: Museum Theory. Wiley - Blackwell, Croydon, 3-20.